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    "textoCompleto" => "<span class="elsevierStyleSections"><p id="par0005" class="elsevierStylePara elsevierViewall">Jos&#233; Eugenio de Olavide &#40;1836&#8211;1901&#41; published his <span class="elsevierStyleItalic">Atlas of Clinical Images of the Skin and Skin Diseases</span><a class="elsevierStyleCrossRef" href="#bib0005"><span class="elsevierStyleSup">1</span></a> in fascicles that were then grouped into 2 volumes&#46; The first covered general dermatology&#44; as its volume title indicated&#44; and appeared in 1871&#46; The second appeared in 1873&#44; bringing together 165 illustrations of patients placed alongside their case histories and treatment plans&#46; Most of the images showed patients treated in Hospital de San Juan de Dios in Madrid and were done by Jos&#233; Acevedo&#46; However&#44; Section 6 on leprous diseases contains 7 illustrations of lesions in patients treated by Dr Benito Hernando y Espinosa&#44; then full professor of dermatology at the Universidad de Granada&#46; The paintings were not done by Acevedo&#44; &#8220;but rather by another painter&#44; Barrecheguren&#44; about whom we have no information&#44;&#8221; according to del Rio et al&#46;<a class="elsevierStyleCrossRef" href="#bib0010"><span class="elsevierStyleSup">2</span></a> in an article in <span class="elsevierStyleItalic">Actas Dermosifiliogr&#225;ficas</span>&#46; Barrecheguren&#8217;s paintings were done in water color&#46; Acevedo used them as the basis for lithographs produced in the printing establishment of J&#46; M&#46; Mat&#233;u at number 4&#44; Calle de Recoletos&#44; in Madrid&#46; To facilitate future studies of Olavide&#8217;s <span class="elsevierStyleItalic">Atlas</span>&#44; we provide information about Dr Barrecheguren in this letter&#46;</p><p id="par0010" class="elsevierStylePara elsevierViewall">The full name of the painter of the 7 water color illustrations in section 6 of the <span class="elsevierStyleItalic">Atlas</span> was Valentin Barrecheguren Santal&#243; &#40;<a class="elsevierStyleCrossRef" href="#fig0005">Fig&#46; 1</a>&#41;&#46; Born in Granada on December 19&#44; 1853 &#40;d&#46; 1893&#41;&#44; Barrecheguren began his medical studies at the University of Granada in 1875 and graduated in 1878&#46;<a class="elsevierStyleCrossRef" href="#bib0015"><span class="elsevierStyleSup">3</span></a> While studying&#44; he worked with Dr Hernando&#44;<a class="elsevierStyleCrossRef" href="#bib0020"><span class="elsevierStyleSup">4</span></a> executing his illustrations of leprosy &#8220;at the bedside&#8221; of patients in Hospital de San L&#225;zaro&#46;<a class="elsevierStyleCrossRef" href="#bib0025"><span class="elsevierStyleSup">5</span></a> Barrecheguren and Hernando became close friends&#46;</p><elsevierMultimedia ident="fig0005"></elsevierMultimedia><p id="par0015" class="elsevierStylePara elsevierViewall">Barrecheguren&#8217;s training as a painter had begun in Granada under Don Eduardo Garc&#237;a Guerra &#40;1827&#8211;1880&#63;&#41;&#44; a disciple of Federico de Madrazo&#46; Later&#44; in 1870&#44; he studied water color technique with Mariano Fortuny &#40;1838&#8211;1874&#41;&#46;<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> His medical training completed&#44; Barrecheguren continued studying art in Paris and Rome&#44; where he met Francisco Pradilla &#40;1848&#8211;1921&#41;&#46;<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> Pradilla&#8217;s <span class="elsevierStyleItalic">Queen Joan the Mad</span> &#40;<span class="elsevierStyleItalic">Do&#241;a Juana la Loca</span>&#41; had taken prizes at the Spanish National Exhibition of Fine Arts and at the Paris Universal Exhibition of 1878&#46; Those recognitions led the Spanish Senate to commission a painting depicting the taking of Granada by the Catholic Monarchs &#40;<span class="elsevierStyleItalic">The Capitulation of Granada</span>&#41;&#46; To work on that commission&#44; Pradilla and Barrecheguren went to Granada in 1880&#44;<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> where they worked together to gather material to fill a canvas measuring 3&#46;50 by 5&#46;42&#160;m&#46; Among the figures Pradilla placed in the scene is Professor Hernando&#44; in the role of the Sultan Boabdil&#46;<a class="elsevierStyleCrossRef" href="#bib0025"><span class="elsevierStyleSup">5</span></a> Works by Barrecheguren that can be found in the Museum of Fine Arts in Granada are the <span class="elsevierStyleItalic">Palace of the Counts of Castillejo</span>&#44; <span class="elsevierStyleItalic">Abandoned Woman</span>&#44; <span class="elsevierStyleItalic">House on the Cuesta de Alhacaba</span>&#44; <span class="elsevierStyleItalic">Defeat of the Moors</span>&#44; <span class="elsevierStyleItalic">Uprising in the Albaic&#237;n</span>&#44; <span class="elsevierStyleItalic">A Raffle for the Benefit of Souls</span>&#44; <span class="elsevierStyleItalic">The Silk House</span>&#44; <span class="elsevierStyleItalic">The Arch of Spoons</span>&#44; and drawings depicting allegories of war in Granada&#46;<a class="elsevierStyleCrossRef" href="#bib0035"><span class="elsevierStyleSup">7</span></a></p><p id="par0020" class="elsevierStylePara elsevierViewall">Barrecheguren practiced medicine in the city and province of Granada and received the Cross for Charitable Works &#40;Cruz de la Beneficencia&#41; in 1885 for his work during the cholera epidemic&#46; He also received a commendation from King Carlos III &#40;the Cruz de Carlos III&#41;&#46; He served as head of Hospital de San L&#225;zaro&#46; These and other distinctions led the city of Granada to name after Barrecheguren the street where he had kept his studio&#46;</p></span>"
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Letter to the Editor
Valentin Barrecheguren (1853–1893) — Painter of the Granada Illustrations in Olavide’s Atlas of Clinical Images of the Skin and Skin Diseases
Valentin Barrecheguren (1853-1893), autor de las láminas granadinas del Atlas de Olavide
Salvio Serrano Ortega
Universidad de Granada, Granada, Spain
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    "textoCompleto" => "<span class="elsevierStyleSections"><p id="par0005" class="elsevierStylePara elsevierViewall">Jos&#233; Eugenio de Olavide &#40;1836&#8211;1901&#41; published his <span class="elsevierStyleItalic">Atlas of Clinical Images of the Skin and Skin Diseases</span><a class="elsevierStyleCrossRef" href="#bib0005"><span class="elsevierStyleSup">1</span></a> in fascicles that were then grouped into 2 volumes&#46; The first covered general dermatology&#44; as its volume title indicated&#44; and appeared in 1871&#46; The second appeared in 1873&#44; bringing together 165 illustrations of patients placed alongside their case histories and treatment plans&#46; Most of the images showed patients treated in Hospital de San Juan de Dios in Madrid and were done by Jos&#233; Acevedo&#46; However&#44; Section 6 on leprous diseases contains 7 illustrations of lesions in patients treated by Dr Benito Hernando y Espinosa&#44; then full professor of dermatology at the Universidad de Granada&#46; The paintings were not done by Acevedo&#44; &#8220;but rather by another painter&#44; Barrecheguren&#44; about whom we have no information&#44;&#8221; according to del Rio et al&#46;<a class="elsevierStyleCrossRef" href="#bib0010"><span class="elsevierStyleSup">2</span></a> in an article in <span class="elsevierStyleItalic">Actas Dermosifiliogr&#225;ficas</span>&#46; Barrecheguren&#8217;s paintings were done in water color&#46; Acevedo used them as the basis for lithographs produced in the printing establishment of J&#46; M&#46; Mat&#233;u at number 4&#44; Calle de Recoletos&#44; in Madrid&#46; To facilitate future studies of Olavide&#8217;s <span class="elsevierStyleItalic">Atlas</span>&#44; we provide information about Dr Barrecheguren in this letter&#46;</p><p id="par0010" class="elsevierStylePara elsevierViewall">The full name of the painter of the 7 water color illustrations in section 6 of the <span class="elsevierStyleItalic">Atlas</span> was Valentin Barrecheguren Santal&#243; &#40;<a class="elsevierStyleCrossRef" href="#fig0005">Fig&#46; 1</a>&#41;&#46; Born in Granada on December 19&#44; 1853 &#40;d&#46; 1893&#41;&#44; Barrecheguren began his medical studies at the University of Granada in 1875 and graduated in 1878&#46;<a class="elsevierStyleCrossRef" href="#bib0015"><span class="elsevierStyleSup">3</span></a> While studying&#44; he worked with Dr Hernando&#44;<a class="elsevierStyleCrossRef" href="#bib0020"><span class="elsevierStyleSup">4</span></a> executing his illustrations of leprosy &#8220;at the bedside&#8221; of patients in Hospital de San L&#225;zaro&#46;<a class="elsevierStyleCrossRef" href="#bib0025"><span class="elsevierStyleSup">5</span></a> Barrecheguren and Hernando became close friends&#46;</p><elsevierMultimedia ident="fig0005"></elsevierMultimedia><p id="par0015" class="elsevierStylePara elsevierViewall">Barrecheguren&#8217;s training as a painter had begun in Granada under Don Eduardo Garc&#237;a Guerra &#40;1827&#8211;1880&#63;&#41;&#44; a disciple of Federico de Madrazo&#46; Later&#44; in 1870&#44; he studied water color technique with Mariano Fortuny &#40;1838&#8211;1874&#41;&#46;<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> His medical training completed&#44; Barrecheguren continued studying art in Paris and Rome&#44; where he met Francisco Pradilla &#40;1848&#8211;1921&#41;&#46;<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> Pradilla&#8217;s <span class="elsevierStyleItalic">Queen Joan the Mad</span> &#40;<span class="elsevierStyleItalic">Do&#241;a Juana la Loca</span>&#41; had taken prizes at the Spanish National Exhibition of Fine Arts and at the Paris Universal Exhibition of 1878&#46; Those recognitions led the Spanish Senate to commission a painting depicting the taking of Granada by the Catholic Monarchs &#40;<span class="elsevierStyleItalic">The Capitulation of Granada</span>&#41;&#46; To work on that commission&#44; Pradilla and Barrecheguren went to Granada in 1880&#44;<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> where they worked together to gather material to fill a canvas measuring 3&#46;50 by 5&#46;42&#160;m&#46; Among the figures Pradilla placed in the scene is Professor Hernando&#44; in the role of the Sultan Boabdil&#46;<a class="elsevierStyleCrossRef" href="#bib0025"><span class="elsevierStyleSup">5</span></a> Works by Barrecheguren that can be found in the Museum of Fine Arts in Granada are the <span class="elsevierStyleItalic">Palace of the Counts of Castillejo</span>&#44; <span class="elsevierStyleItalic">Abandoned Woman</span>&#44; <span class="elsevierStyleItalic">House on the Cuesta de Alhacaba</span>&#44; <span class="elsevierStyleItalic">Defeat of the Moors</span>&#44; <span class="elsevierStyleItalic">Uprising in the Albaic&#237;n</span>&#44; <span class="elsevierStyleItalic">A Raffle for the Benefit of Souls</span>&#44; <span class="elsevierStyleItalic">The Silk House</span>&#44; <span class="elsevierStyleItalic">The Arch of Spoons</span>&#44; and drawings depicting allegories of war in Granada&#46;<a class="elsevierStyleCrossRef" href="#bib0035"><span class="elsevierStyleSup">7</span></a></p><p id="par0020" class="elsevierStylePara elsevierViewall">Barrecheguren practiced medicine in the city and province of Granada and received the Cross for Charitable Works &#40;Cruz de la Beneficencia&#41; in 1885 for his work during the cholera epidemic&#46; He also received a commendation from King Carlos III &#40;the Cruz de Carlos III&#41;&#46; He served as head of Hospital de San L&#225;zaro&#46; These and other distinctions led the city of Granada to name after Barrecheguren the street where he had kept his studio&#46;</p></span>"
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