Letter to the Editor
Valentin Barrecheguren (1853–1893) — Painter of the Granada Illustrations in Olavide’s Atlas of Clinical Images of the Skin and Skin Diseases
Valentin Barrecheguren (1853-1893), autor de las láminas granadinas del Atlas de Olavide
Salvio Serrano Ortega
Universidad de Granada, Granada, Spain
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"apellidos" => "Vázquez-Bueno" ] ] ] ] ] "idiomaDefecto" => "en" "Traduccion" => array:1 [ "es" => array:9 [ "pii" => "S0001731021001952" "doi" => "10.1016/j.ad.2020.10.007" "estado" => "S300" "subdocumento" => "" "abierto" => array:3 [ "ES" => true "ES2" => true "LATM" => true ] "gratuito" => true "lecturas" => array:1 [ "total" => 0 ] "idiomaDefecto" => "es" "EPUB" => "https://multimedia.elsevier.es/PublicationsMultimediaV1/item/epub/S0001731021001952?idApp=UINPBA000044" ] ] "EPUB" => "https://multimedia.elsevier.es/PublicationsMultimediaV1/item/epub/S1578219021003000?idApp=UINPBA000044" "url" => "/15782190/0000011200000010/v1_202111080506/S1578219021003000/v1_202111080506/en/main.assets" ] "en" => array:15 [ "idiomaDefecto" => true "cabecera" => "<span class="elsevierStyleTextfn">Letter to the Editor</span>" "titulo" => "Valentin Barrecheguren (1853–1893) — Painter of the Granada Illustrations in Olavide’s <span class="elsevierStyleItalic">Atlas of Clinical Images of the Skin and Skin Diseases</span>" "tieneTextoCompleto" => true "saludo" => "To the Editor:" "paginas" => array:1 [ 0 => array:2 [ "paginaInicial" => "966" "paginaFinal" => "967" ] ] "autores" => array:1 [ 0 => array:3 [ "autoresLista" => "Salvio Serrano Ortega" "autores" => array:1 [ 0 => array:3 [ "nombre" => "Salvio Serrano" "apellidos" => "Ortega" "email" => array:1 [ 0 => "salvio@ugr.es" ] ] ] "afiliaciones" => array:1 [ 0 => array:2 [ "entidad" => "Universidad de Granada, Granada, Spain" "identificador" => "aff0005" ] ] ] ] "titulosAlternativos" => array:1 [ "es" => array:1 [ "titulo" => "Valentin Barrecheguren (1853-1893), autor de las láminas granadinas del <span class="elsevierStyleItalic">Atlas</span> de Olavide" ] ] "resumenGrafico" => array:2 [ "original" => 0 "multimedia" => array:8 [ "identificador" => "fig0005" "etiqueta" => "Figure 1" "tipo" => "MULTIMEDIAFIGURA" "mostrarFloat" => true "mostrarDisplay" => false "figura" => array:1 [ 0 => array:4 [ "imagen" => "gr1.jpeg" "Alto" => 1013 "Ancho" => 905 "Tamanyo" => 103318 ] ] "detalles" => array:1 [ 0 => array:3 [ "identificador" => "at0005" "detalle" => "Figure " "rol" => "short" ] ] "descripcion" => array:1 [ "en" => "<p id="spar0005" class="elsevierStyleSimplePara elsevierViewall">Portrait of Valentin Barrecheguren by José Ruiz de Almodovar. Archive of the museum dedicated to Ruiz de Almodovar in Órgiva, Granada, Spain.</p>" ] ] ] "textoCompleto" => "<span class="elsevierStyleSections"><p id="par0005" class="elsevierStylePara elsevierViewall">José Eugenio de Olavide (1836–1901) published his <span class="elsevierStyleItalic">Atlas of Clinical Images of the Skin and Skin Diseases</span><a class="elsevierStyleCrossRef" href="#bib0005"><span class="elsevierStyleSup">1</span></a> in fascicles that were then grouped into 2 volumes. The first covered general dermatology, as its volume title indicated, and appeared in 1871. The second appeared in 1873, bringing together 165 illustrations of patients placed alongside their case histories and treatment plans. Most of the images showed patients treated in Hospital de San Juan de Dios in Madrid and were done by José Acevedo. However, Section 6 on leprous diseases contains 7 illustrations of lesions in patients treated by Dr Benito Hernando y Espinosa, then full professor of dermatology at the Universidad de Granada. The paintings were not done by Acevedo, “but rather by another painter, Barrecheguren, about whom we have no information,” according to del Rio et al.<a class="elsevierStyleCrossRef" href="#bib0010"><span class="elsevierStyleSup">2</span></a> in an article in <span class="elsevierStyleItalic">Actas Dermosifiliográficas</span>. Barrecheguren’s paintings were done in water color. Acevedo used them as the basis for lithographs produced in the printing establishment of J. M. Matéu at number 4, Calle de Recoletos, in Madrid. To facilitate future studies of Olavide’s <span class="elsevierStyleItalic">Atlas</span>, we provide information about Dr Barrecheguren in this letter.</p><p id="par0010" class="elsevierStylePara elsevierViewall">The full name of the painter of the 7 water color illustrations in section 6 of the <span class="elsevierStyleItalic">Atlas</span> was Valentin Barrecheguren Santaló (<a class="elsevierStyleCrossRef" href="#fig0005">Fig. 1</a>). Born in Granada on December 19, 1853 (d. 1893), Barrecheguren began his medical studies at the University of Granada in 1875 and graduated in 1878.<a class="elsevierStyleCrossRef" href="#bib0015"><span class="elsevierStyleSup">3</span></a> While studying, he worked with Dr Hernando,<a class="elsevierStyleCrossRef" href="#bib0020"><span class="elsevierStyleSup">4</span></a> executing his illustrations of leprosy “at the bedside” of patients in Hospital de San Lázaro.<a class="elsevierStyleCrossRef" href="#bib0025"><span class="elsevierStyleSup">5</span></a> Barrecheguren and Hernando became close friends.</p><elsevierMultimedia ident="fig0005"></elsevierMultimedia><p id="par0015" class="elsevierStylePara elsevierViewall">Barrecheguren’s training as a painter had begun in Granada under Don Eduardo García Guerra (1827–1880?), a disciple of Federico de Madrazo. Later, in 1870, he studied water color technique with Mariano Fortuny (1838–1874).<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> His medical training completed, Barrecheguren continued studying art in Paris and Rome, where he met Francisco Pradilla (1848–1921).<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> Pradilla’s <span class="elsevierStyleItalic">Queen Joan the Mad</span> (<span class="elsevierStyleItalic">Doña Juana la Loca</span>) had taken prizes at the Spanish National Exhibition of Fine Arts and at the Paris Universal Exhibition of 1878. Those recognitions led the Spanish Senate to commission a painting depicting the taking of Granada by the Catholic Monarchs (<span class="elsevierStyleItalic">The Capitulation of Granada</span>). To work on that commission, Pradilla and Barrecheguren went to Granada in 1880,<a class="elsevierStyleCrossRef" href="#bib0030"><span class="elsevierStyleSup">6</span></a> where they worked together to gather material to fill a canvas measuring 3.50 by 5.42 m. Among the figures Pradilla placed in the scene is Professor Hernando, in the role of the Sultan Boabdil.<a class="elsevierStyleCrossRef" href="#bib0025"><span class="elsevierStyleSup">5</span></a> Works by Barrecheguren that can be found in the Museum of Fine Arts in Granada are the <span class="elsevierStyleItalic">Palace of the Counts of Castillejo</span>, <span class="elsevierStyleItalic">Abandoned Woman</span>, <span class="elsevierStyleItalic">House on the Cuesta de Alhacaba</span>, <span class="elsevierStyleItalic">Defeat of the Moors</span>, <span class="elsevierStyleItalic">Uprising in the Albaicín</span>, <span class="elsevierStyleItalic">A Raffle for the Benefit of Souls</span>, <span class="elsevierStyleItalic">The Silk House</span>, <span class="elsevierStyleItalic">The Arch of Spoons</span>, and drawings depicting allegories of war in Granada.<a class="elsevierStyleCrossRef" href="#bib0035"><span class="elsevierStyleSup">7</span></a></p><p id="par0020" class="elsevierStylePara elsevierViewall">Barrecheguren practiced medicine in the city and province of Granada and received the Cross for Charitable Works (Cruz de la Beneficencia) in 1885 for his work during the cholera epidemic. He also received a commendation from King Carlos III (the Cruz de Carlos III). He served as head of Hospital de San Lázaro. These and other distinctions led the city of Granada to name after Barrecheguren the street where he had kept his studio.</p></span>" "pdfFichero" => "main.pdf" "tienePdf" => true "NotaPie" => array:1 [ 0 => array:2 [ "etiqueta" => "☆" "nota" => "<p class="elsevierStyleNotepara" id="npar0005">Please cite this article as: Ortega SS. Valentin Barrecheguren (1853-1893), autor de las láminas granadinas del <span class="elsevierStyleItalic">Atlas</span> de Olavide. Actas Dermosifiliogr. 2021;112:966–967.</p>" ] ] "multimedia" => array:1 [ 0 => array:8 [ "identificador" => "fig0005" "etiqueta" => "Figure 1" "tipo" => "MULTIMEDIAFIGURA" "mostrarFloat" => true "mostrarDisplay" => false "figura" => array:1 [ 0 => array:4 [ "imagen" => "gr1.jpeg" "Alto" => 1013 "Ancho" => 905 "Tamanyo" => 103318 ] ] "detalles" => array:1 [ 0 => array:3 [ "identificador" => "at0005" "detalle" => "Figure " "rol" => "short" ] ] "descripcion" => array:1 [ "en" => "<p id="spar0005" class="elsevierStyleSimplePara elsevierViewall">Portrait of Valentin Barrecheguren by José Ruiz de Almodovar. Archive of the museum dedicated to Ruiz de Almodovar in Órgiva, Granada, Spain.</p>" ] ] ] "bibliografia" => array:2 [ "titulo" => "References" "seccion" => array:1 [ 0 => array:2 [ "identificador" => "bibs0005" "bibliografiaReferencia" => array:7 [ 0 => array:3 [ "identificador" => "bib0005" "etiqueta" => "1" "referencia" => array:1 [ 0 => array:2 [ "contribucion" => array:1 [ 0 => array:2 [ "titulo" => "Dermatología General y Clinica Iconográfica de las Enfermedades de la Piel o Dermatosis" "autores" => array:1 [ 0 => array:2 [ "etal" => false "autores" => array:1 [ 0 => "J.E. Olavide" ] ] ] ] ] "host" => array:1 [ 0 => array:1 [ "Libro" => array:3 [ "fecha" => "1879" "editorial" => "Imprenta de T. Fortanet" "editorialLocalizacion" => "Madrid" ] ] ] ] ] ] 1 => array:3 [ "identificador" => "bib0010" "etiqueta" => "2" "referencia" => array:1 [ 0 => array:2 [ "contribucion" => array:1 [ 0 => array:2 [ "titulo" => "Publicaciones y colaboraciones en revistas periódicas" "autores" => array:1 [ 0 => array:2 [ "etal" => false "autores" => array:3 [ 0 => "E. Del Rio de la Torre" 1 => "A. Garcia Pérez" 2 => "J.E. de Olavide III" ] ] ] ] ] "host" => array:1 [ 0 => array:1 [ "Revista" => array:5 [ "tituloSerie" => "Actas Dermosifiliogr" "fecha" => "2001" "volumen" => "92" "paginaInicial" => "127" "paginaFinal" => "137" ] ] ] ] ] ] 2 => array:3 [ "identificador" => "bib0015" "etiqueta" => "3" "referencia" => array:1 [ 0 => array:2 [ "contribucion" => array:1 [ 0 => array:2 [ "titulo" => "Expediente personal de Valentin Barrecheguren Santaló. Año" "autores" => array:1 [ 0 => array:2 [ "etal" => false "autores" => array:1 [ 0 => "Archivo histórico de la Universidad de Granada (AHUG)" ] ] ] ] ] "host" => array:1 [ 0 => array:1 [ "Libro" => array:1 [ "fecha" => "1875" ] ] ] ] ] ] 3 => array:3 [ "identificador" => "bib0020" "etiqueta" => "4" "referencia" => array:1 [ 0 => array:2 [ "contribucion" => array:1 [ 0 => array:2 [ "titulo" => "De la Lepra en Granada" "autores" => array:1 [ 0 => array:2 [ "etal" => false "autores" => array:1 [ 0 => "B.H. Espinosa" ] ] ] ] ] "host" => array:1 [ 0 => array:1 [ "Libro" => array:3 [ "fecha" => "1881" "editorial" => "Imp. de la Libertad" "editorialLocalizacion" => "España" ] ] ] ] ] ] 4 => array:3 [ "identificador" => "bib0025" "etiqueta" => "5" "referencia" => array:1 [ 0 => array:2 [ "contribucion" => array:1 [ 0 => array:2 [ "titulo" => "Don Benito Hernando y las láminas granadinas del Atlas de Olavide. In: Fonseca Capdevila E. I Seminario de Historia de la Dermatologia" "autores" => array:1 [ 0 => array:2 [ "etal" => false "autores" => array:1 [ 0 => "F. Serrano Ortega" ] ] ] ] ] "host" => array:1 [ 0 => array:1 [ "Libro" => array:5 [ "fecha" => "2017" "paginaInicial" => "7" "paginaFinal" => "11" "editorial" => "Fundación Profesor Novoa Santos" "editorialLocalizacion" => "La Coruña" ] ] ] ] ] ] 5 => array:3 [ "identificador" => "bib0030" "etiqueta" => "6" "referencia" => array:1 [ 0 => array:2 [ "contribucion" => array:1 [ 0 => array:2 [ "titulo" => "Barrecheguren pintor Boletín del Centro Artístico" "autores" => array:1 [ 0 => array:2 [ "etal" => false "autores" => array:1 [ 0 => "M. Gómez Moreno" ] ] ] ] ] "host" => array:1 [ 0 => array:1 [ "Libro" => array:2 [ "fecha" => "1893" "paginaInicial" => "28" ] ] ] ] ] ] 6 => array:3 [ "identificador" => "bib0035" "etiqueta" => "7" "referencia" => array:1 [ 0 => array:2 [ "contribucion" => array:1 [ 0 => array:2 [ "titulo" => "Barrecheguren pintor Boletin del Centro Artístico de Granada. Número extraordinario dedicado a la memoria del socio fundador D Valentin Barrecheguren Santaló" "autores" => array:1 [ 0 => array:2 [ "etal" => false "autores" => array:1 [ 0 => "G. Ruiz de Almodovar" ] ] ] ] ] "host" => array:1 [ 0 => array:1 [ "Libro" => array:3 [ "fecha" => "1893" "paginaInicial" => "23" "paginaFinal" => "35" ] ] ] ] ] ] ] ] ] ] ] "idiomaDefecto" => "en" "url" => "/15782190/0000011200000010/v1_202111080506/S1578219021002432/v1_202111080506/en/main.assets" "Apartado" => array:4 [ "identificador" => "6202" "tipo" => "SECCION" "en" => array:2 [ "titulo" => "Letter to the Editor" "idiomaDefecto" => true ] "idiomaDefecto" => "en" ] "PDF" => "https://static.elsevier.es/multimedia/15782190/0000011200000010/v1_202111080506/S1578219021002432/v1_202111080506/en/main.pdf?idApp=UINPBA000044&text.app=https://actasdermo.org/" "EPUB" => "https://multimedia.elsevier.es/PublicationsMultimediaV1/item/epub/S1578219021002432?idApp=UINPBA000044" ]
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